| ESTABLISH |
In playwriting or production, to make clear to an audience such matters as locale, character, etc. Thus, "The playwright establishes within the first few moments that this is pre-Nazi Germany, mostly by the references to the Weimar Republic and its inflationary terrors." |
| EXEUNT |
Archaic term, meaning the exit of more than one character at the same time. |
| EXIT |
1) Leaving the stage, to go offstage. Thus, "exit speech" and "make an exit." 2) A door or other opening through which an actor can leave the stage. |
| EXIT LINE |
A line of dialogue spoken by an actor just before, or just as, he/she leaves the stage. |
| EXPANDER |
A piece of sound processing equipment that reduces background noise by muting a sound signal when it falls below a certain level, restoring it when the level increases again. Must be used on vocal microphones with care, because it may cut the signal off, although the vocalist is still singing quietly. |
| EXPOSITION |
An explanation, normally in the dialogue, of events preceding the beginning of a dramatic piece, and which the audience needs to know. Also, any plot-related information that is provided to help the audience understand actions that take place offstage. |
| EXPOSITORY SCENE |
A scene whose chief purpose is to provide exposition. |
| EXPRESSIONISM |
A theatrical method that emphasizes the inner emotional significance of a play rather than the mere exterior quality. The means to do this are unusual, from heavy symbolism to speeding up (or slowing down) the action, abstract sets and costumes, etc. The high point of expressionism was 1910-1925, and most practiced in Germany, although it can be found in American plays as well. |
| EXTEMPORANEOUS |
Impromptu, unrehearsed, unscripted. Thus, extemporize, extempore (from the Latin, meaning "out of the moment." |
| EXTERIOR |
A scene set out of doors, usually referring to a flat or backdrop representing such a scene. |
| EXTRAVAGANZA |
A light entertainment with music, an improbable plot (in the 19th century, usually a fairy tale), and a spectacular presentation, with colorful costumes, a large cast. Later, any spectacular presentation. |
| F.B.O or FBO |
Abbreviation for Fade to blackout (or fade to black). |
| FABULOUS INVALID |
The theatre, always amazingly vital despite its chronic financial and artistic setbacks. |
| FADE |
An increase, diminishment or change in lighting or sound level. |
| FADE IN |
To increase the illumination of the stage gradually through the use of dimmers. |
| FADE OUT or FADEOUT |
To decrease the illumination of the stage gradually through the use of dimmers, until the stage is totally dark. Also a noun: fadeout. |
| FADER |
Vertical slider which is used to remotely set the level of a lighting or sound channel. |
| FAKE |
(verb) 1) To ad lib, as in "to fake it." 2)To omit lines or business, or to execute business than it would take in real life. |
| FALSE PROSCENIUM |
A frame formed by scenic canvas or vertical flattage within the proscenium arch. Used to reduce the size of the opening when putting a small set onto a large stage. |
| FALSE STAGE |
Special stage floor laid for a production. For example to allow trucks guided by tracks cut into this false floor, to be moved by steel wires running in the shallow (2 or 3 inch) void between the false floor and the original stage floor. A false stage is also required for putting a revolve onto a stage. |